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Tangerine, a 2015 dramedy directed by Sean Baker ( The Florida Project) was shot on an iPhone 5s camera with a budget of $100,000. But the heartrending ending may leave viewers reaching for a bottle of red in which to drown their sorrows.
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In the film, the winner of the Palme d'Or at Cannes, stars Léa Seydoux and Adèle Exarchopoulos were so inextricable from the material that they were awarded the Palme alongside their director, making them the second and third women to win the prestigious honor in the festival’s history.įor all of the scissoring under industrial lighting the film offers, the movie also kick-started an international discussion about the dangers of the “male gaze,” even if the term in the vernacular became divorced from Laura Mulvey’s original essay in which she spelled out the tenets of the “gaze.”ĭespite the sex scenes that had audiences squirming with either schadenfreude or delight, Blue Is the Warmest Color is a heartfelt coming-of-age and love story about young French women that boasts stellar performances from its leads.
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“I particularly want women, but I want men as well to kind of go, 'Yes, I have a right to be myself, to explore my identity and my gender and to do it without shame and unapologetically.'"Īs divisive as the elongated, acrobatic sex scenes punctuated with slapping and slurping sounds are in Blue Is the Warmest Color, there’s no denying that the film from Abdelatiff Kechiche set tongues wagging with frank discussions about first love and the epic sex that can accompany it. It was a voice that I wanted to speak,” Knightley told The Advocate about being drawn to the role. If Colette’s unapologetic queerness weren’t enough, transgender actors Rebecca Root and Jake Graf play a cisgender couple who flirt with her in a parlor scene.Ĭolette’s “was a voice that I wanted to hear. The film chronicles Colette’s rise to fame as she leaves behind her country upbringing to become the toast of Paris along with her husband, Willy (Dominic West), who spurs her to chronicle her life for his literary factory where only his moniker appears on everything that’s published.īracing in its frank depiction of sexual freedom, the film shows Colette and Willy beginning an open relationship in which they end up bedding the same American socialite before Colette falls for the trans-masculine Missy (Denise Gough). In the film directed by Wash Westmoreland, who is gay, Keira Knightley embodies the pansexual bohemian feminist who stepped out of her husband’s shadow to become the most famous female French author in the world. Colette, about the trailblazing writer Sidonie-Gabrielle Colette, who engaged in relationships with men, women, and trans-masculine-identifying people circa the Belle Époque, is queer to its core.